12.22.2020

Bicycles

Like so many others this past year, I've had the pleasure of cycling more than ever before. I found myself fiending for outdoor activity after coming back to the sunshine from a dreary land. A simple, engaging way to bask in the love that is warm temperature. So I got on my bike. Over and over and over again. 
 
I've been riding two to four times a week since March. At first my routes were short, familiar outings on the shaded streets I grew up on. Then they became longer. I strayed farther from home to parts of town I hardly visit. I wandered neighborhoods where I don't know a single resident. Sometimes alone, sometimes with company, I learned of creekbeds to follow for winding miles, hilltops with serene, uninhibited views, parks and taco spots and strange murals (Andrew Yang and Kobe are a duo I never would have expected). The excursions became day-trips; explorations into unknown folds of the place I've known for my whole brief life. 
 
For most of the year I rode an old mountain bike that was passed to me from my dad almost a decade ago. Earlier this month, my parents gifted me a sleek city bike. It's gorgeous. Deep blue frame, white-rimmed 700cc wheels, brown leather seats and grips. It has no gears (single-speed) so it's lightweight and minimalist. The design is both classic and modern. I can fly on that thing.
 
Now I cruise around town with a contagiously laid-back ambiance, each pedal a beat of my soaring wings, each moment more liberating, more enjoyable, than slower or faster transit could ever offer. Maybe it's because I'm fully out there; the asphalt is inches away, it's imperfections physically impactful on my body; the wind in my wavy hair, uncut for months now; the sun on my exposed forearms; the hot closeness of rumbling cars giving way to the quiet openness of a residential backstreet. It makes me feel present. 
 
Anyways, this feeling I get on my bike reminded me of an essay called The Wheels of Freedom: Bicycles in China by Fred Strebeigh. He describes how people in China were banned from talking about the Tiananmen Square Protests in the aftermath, but while cycling they could and would because the state couldn't monitor people's conversations while they were biking. Bicycles gave individuals personal space. A dose of sanctity that helped them go on with daily life.
 
I know China has changed dramatically since 1991, when the essay was published. The sea of bicycles has given way to four-wheeled traffic jams and cutting-edge public transit. The surveillance state wields expansive new technologies. But I think, when I read this, I see how millions of others have felt the same overflowing vibrancy I find on my bike. It's cool to recognize that connection across time and space.

12.13.2020

Sound of Metal

I really liked Sound of Metal, a new movie on Prime Video. The main character, Ruben, plays drums for a heavy metal band that screams passionate, esoteric angst to small crowds of black-clad modern punks in dank dingy halls. His hearing begins to rapidly and dramatically degrade, throwing his life into uncharted waters. 

For one, the narrative is original, which is always appreciated in today's franchised media industry. Every step felt unexpected. The uniqueness of story nurtured an empathy that flowered as the movie progressed; ardent character development, which happens in the passing scenes, the shots of daily intimacies and raw solitude, made this possible. And this, the empathy, was the real strength of the movie, I think. It's the most powerful thing an artist can create. 
 
Filming details, subtle yet discernible for the non-trained eye (mine), were a substantial part of the aesthetic quality. The audio specifically stood out. Perspective shifted, smoothly and frequently, from a ubiquitous narrator with acute hearing to Ruben in his stages of auditory deterioration. Dripping coffee. Vibrating drums. Honking buses. Clanging bells. The incongruity between the two realities was all the more evident because of this technique. 

Ruben is played by Riz Ahmed, who nailed the performance. He's was stellar in The Night Of and The Reluctant Fundamentalist too. Dude can act. In my view, he is a great representative of South Asian Muslims. His roles and style are atypical. This helps break pervasive stereotypes about South Asians, like the idea that we can't be in heavy metal bands. Ruben is not written as a South Asian character to be played by a South Asian actor. His character has nothing to do with Ahmed being South Asian. Ruben is ethnically ambiguous. Usually, minority actors only get cast in roles for characters of that same minority. The "generic" character is always white. It's cool to see Ahmed representing a person, not just a South Asian person. That's real equality.

12.06.2020

12/2/20: The Slaughter

We turned off an unpaved road after a series of rights and lefts through the dry, South Texas grasslands. I didn't get to see much of the homestead upon entrance; I was driving through a dust cloud kicked up by the speedy Dr.--------, our companion and leader on this excursion. What I did see was three chained dogs lunging at our passing tires, restrained by metal but itching for a chance to attack. A bluff, in my experience, but intimidating nonetheless. 
 
Dr.-------- parked behind a shed on a flat expanse overlooking a tilled field, the stubby greenery and vacant tractor hinting at its recent cultivation. The tractor had a bulldozer attachment in the front. In the bucket of the attachment we saw a heap of fur, bits of intestine, and a decapitated goat's head. Flies swarmed over the open eyes. This was Dr.--------'s goat.

The reason for our visit to Abu -----'s farm was to slaughter a goat. My family (I mean my mother) buys one from a local farmer once or twice a year to supply our meat. The curry my mom makes (something like this) from the mutton is my favorite meal. This time, Dr.--------, a meat aficionado and resident "busy eccentric man who is expert in a variety of random things and finds obscure farmer in Poteet, Texas who will halal slaughter goats for you," came with for his own purchase. He was not interested in participating in the butchering process. I, on the other hand, was. 

About a week earlier, my mom asked if I had any interest in doing the zabiha, the Islamic tradition of humane slaughter, for she had placed an order for a young goat with Abu -----. Almost immediately I said yes. Maybe because I wanted to experience an ancient, universal human experience that I had yet to truly know. Or because I wanted to prove my metal, my masculinity. Or general curiosity. Probably all three. I think of myself as open-minded and usually willing to try things that aren't a serious threat to my emotional and/or physical well-being. Hell, people for time immemorial have been doing this all over the world. I can overcome my modern, urban sensitivities, I thought. We're disgustingly disassociated from our food sources anyways. This is as good a time as any to cross that gulf. 

Greeting us is Abu -----, a middle aged man donning work clothes and a kind smile. Dr.-------- led with "As-salamu alaykum," a salutation reciprocated with "Wa Ężalaykumu s-salam." We were introduced with the same friendly exchange, and he had no problem pronouncing my name. He was passing chunks of flesh through an electric buzzsaw, skillfully picking his way around the vibrating steel teeth with exposed fingers. I was nervous just watching. 

He led us around the two small sheds to a fenced pen with a few dozen goats and sheep. The area was clean, no smell of feces and sweat and fear like at the cattle auctions I used to go to with my grandpa. The animals were standing around quietly. Two mothers nursed lambs only a few weeks old in a separate enclosure. Abu ----- pointed to a couple different goats as options for us. These are young, he said, about one year old. The meat will be tender. We chose an 11 month old (approx.), on the smaller side, but healthy, a good choice according to the experts. 

I went in the pen with Abu -----, who grabbed the goat by the hind leg. It had beige fur with brown spots. He told me to hold the leg and bring the goat behind the pen, next to the tractor, out of sight from the other animals. It whined and squirmed for a bit, then succumbed as I pulled it towards its final spot on Earth. 

Now watch, Abu ----- said. He pushed the fore leg behind the goat's head and, with his left, held the head down from the chin. The neck lay exposed, aiming skyward. He was behind the goat, I in front holding its other legs down. The neck faces quibla, he said, pointing to Mecca over the horizon. You sure you want to do this?

I could have told him no, you do it. I wanted to say so. He wouldn't have thought twice, and neither would my mom or Dr.-------- or anyone. It was frightening in the moment. I wanted to walk away. But I told him the opposite. Yes. I want to do this. 

He switched places with me. Now my left hand held the head. My other held the knife that sat on a flat stone nearby, the glinting tool of Abraham the same as it always had been.

He touched the neck, its own entity now separate from everything else in my mind, the head, the legs, the cute baby lambs a few feet away, the concept of mammals and animals and life and the universe. Cut here, fast and hard. Back and forth. Say bismillah, then Allahu Akbar three times. That is all.

My heart was pounding my ribs. My ears heated up with the torrid fluid racing through my arteries. I felt the creature under my hand, but I wasn't paying attention to that. All I saw was the neck, protruding and alone, and the knife right above.

Allahu Akbar, I said as the blade dug into the flesh. I pushed down and cut; blood squirted from the jugular. Allahu Akbar. The trachea flopped in two, severed. Crimson red pumped out onto the dark soil. Allahu Akbar. The goat never cried, it never knew what happened. The head was bent at an unlivable angle before a second had passed. Abu ----- snapped its neck backwards in a swift jerk, it twiched and kicked its floundering legs a few times, and within a minute the blood stopped running, and it was dead. 

I stepped back, knife in hand, looking at what I'd done. My face scrunched under the KN95 mask covering most of the area below my eyes. The smell was strong. The scene was gruesome, violent in the most primal sense. 

But the emotions that came were not sadness, nor guilt, nor regret nor shame. I'm not sure what it was. It was a moment almost free of emotion, honestly, the way a shocking, climatic moment is, when you don't have time or the capacity to process and display a feeling. It just happened. I stood in emptiness. It was real, and it was my doing. It was remarkably sudden, tangible, and now a strange memory of me acting without reservation. To think that was me. Strange, right? That's all there is to it.

I watched as Abu ----- butchered the slaughtered goat in a bare shed with tin walls. He started from the heels and cut the coat from underlying muscle the way you pull a sweater off after a long cold day. He cut the head and hooves off. He removed the intestines and the pancreas, kidneys, liver. He hung the goat by the ankles from a coat-hanger hook to do this. When he did, undigested corn pellets fell out the stomach, and a bit of deep coagulated blood from the heart dripped out too. He hosed this down a drain on the concrete floor. Otherwise there was relatively no blood or gore at all. The pink flesh looked like raw meat from the grocery store. 

I spoke with the man while he cleaned the goat (sometimes delicately, sometimes with force). He's actually a lawyer in his home country of Sudan. After law school he worked in Abu Dhabi in criminal investigation for fourteen years. That was before moving west for his children's future. His oldest, whose name is the "-----" in "Abu -----," recently finished medical school. Mr. Hassan (Abu -----'s birth name) told me he wanted his kids to study law, but they wanted medicine instead. Breaking from the path of the father: an older story has never been told. Except maybe about slaughtering an animal. 

He explained that this farm is his hobby. He learned butchery during camping trips in high school with friends, when they would cut and cook their own meat. Even I can tell he is well-versed; within thirty minutes, the goat is in pieces in a bag in my mom's trunk.

As we drove away, the dogs still yapping at the rubber, back onto the dirt road, I found myself confused as to what I should take away from this experience. Here in my bed at night, I'm still confused. I'm sad the goat will never see another dawn or dusk. I wonder about the nature of death; where is the goat? What exactly did I do to it? I think about what this means for me. I know inside I am strong enough to do things that have never been asked of me before, and this was another instance of my rising to the occasion, proving myself to myself. I am glad, for my own sake, that I took a life (actually two, because I slaughtered a lamb for Dr.-------- afterwards, but I wanted to focus on the first one because it was more monumental for me. Do not doubt, I have great respect for the second zabiha; it's just the act was basically a repeat of what happened before. It is amazing how fast we acclimate), because it was a valuable lesson in so many respects. And I think about what it means to be a human being; about our relationships with animals, with our surroundings, with each other, with ourselves.  
 
How curious and strange this journey of life is. How a moment, vivid as ever, is gone in the blink of an eye, never to return. Yet I'm still there, holding the knife, driving away, eating my favorite curry for dinner. A bizarre cycle, inescapable and simultaneously founded on a beginning and end. Today, I think, I felt more a part of it than I ever have before.

A Vision Realized

Across the Kallang River from my apartment block is the Kwong Wai Shiu Hospital. I can see the small complex from my bedroom window; three m...